Major Wins, Major Losses
A retrospective on my wins and losses in AI research and development.
Read more →A retrospective on my wins and losses in AI research and development.
Read more →Launching my new blog where I'll share thoughts on AI research, machine learning systems, and the journey of building an AI research lab.
Read more →Exploring the concept of recursive self-improvement in AI systems and why it's central to our research at Algorithmic Research Group.
Read more →A five-night algorithmic opera at Duke University exploring future intelligence through machine learning, real-time image classification, and autonomous performance systems. Collaboration with Bill Seaman, John Supko, Jim Findlay, Lorelei Ensemble, and Keith Scretch.
Read more →An AfroFuturist performance exploring redlining, gerrymandering, and cartographies of inequality, presented at Moogfest in collaboration with Duke University's Slippage Lab.
Read more →Motion tracking visualization and sonification created in collaboration with Alex Murray-Leslie of Chicks on Speed and the Biomechanics Lab at Penn State. Exhibited at the 56th Venice Biennale and the ArtScience Museum in Singapore.
Read more →Data sonification of 100 days of a podcast host's online activity, composed for Wisconsin Public Radio's To the Best of Our Knowledge episode on the quantified self.
Read more →A continuation of the Algorithmic Techtonics series — flocking particle systems that draw meshes as they interact, exportable as OBJ or DXF files for 3D printing and CNC milling.
Read more →Experimental CAD systems using flocking particles with attraction and repulsion variables to generate dynamic 3D forms driven by algorithm and chance.
Read more →A series of data sonifications of changes in Antarctic ice over 400,000 years, created in collaboration with Mark Ballora and the Penn State Polar Center using SuperCollider.
Read more →3D data sculptures of emotion data from 150 adults tracked over 9 weeks, visualized as behavioral landscapes in Rhino/Grasshopper and carved on a five-axis CNC mill from oak.
Read more →Sonification of three years of isotopic hydrologic data from the Susquehanna Shale Hills Critical Zone Observatory, transforming groundwater, stream water, and precipitation measurements into an auditory representation of watershed dynamics.
Read more →